WORKS
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Projects
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The Power of Display
- BODIES THAT DON'T MATTER
- My BORDER
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Ripolletashecity
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Language//la_langue
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Panopticon_frontier 601
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Lead Silver Time II
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Lead and Silver Times
- The project
- Kafkian suitcases
- Banyuls – Portbou_muga 600
- Bentham’s Panoptic
- Silver moments - Hospitality
- Silver moments - Image's power
- Silver moments - Silver’s (the) wound
- Silver moments - The innocence of evil
- Silver moments - Polysemic house taken
- Silver moments - A goal to survive
- Return home
- Hoouseholds of La Seda
- In Residence-Antaviana
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Plom-Plata
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Anotherend.The remainder
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Discomfort politicisations
- Combinatorial optimization
- Trilogy of privacy
- Antikeres
- Domus Aurea
- Sybil
- Among book wings
- In the inner wine cellar I drank of my beloved
- Europe TV
- Small oranges from China
- Landscape memory
- Constelaciones
- Disappeared Missiones
- Wound of time
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River of silver
- No water
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Videos
- Introducction
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Video installations
- Panopticon_frontier 601
- Kafkian suitcases
- Kenosi- Anti-Keres
- Among book wings. Book of sand
- Among book wings. Josefine
- Among book wings. Das Kind
- Domus Aurea
- Sybil
- Desire
- Wound. Narcissus' astonishment
- Wound. Holy Shroud
- Wound. Madelaine
- Cardamom
- From the Pampa to Les Garrigues
- Europa TV
- Europa TV. The viewer
- Correction
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Single-channel videos
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Video - Documentary
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Video - poems
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Photographs
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Paintings
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Drawings
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Correcció
- CAPS.A.10
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Editions
The Gae Archivet and the MNAC
The Power of Display. Gae Archive
8-Channel Video Installation
With the collaboration of Adolf Alcañiz, Hannes Berger, Cèlia Marcé Oller, Sofía Núñez Rodríguez, and Miquel Àngel Martín. With Emilio Jofre Domènech at the Fenaquistoscopi
Let’s imagine that we take the wrong staircase and enter the MNAC through the basement. The Museum’s security system and an overwhelming darkness signal that we’ve taken the wrong door. We nevertheless follow the path and discover that the visible parts of the MNAC have an almost symmetrical space underneath, criss-crossed by endless corridors that contain the heart and lungs that allow each of the works in the collection to breathe. Vital organs beating 24 hours a day, 365 days a year.
This basement is not merely a storage area, rather it is a malleable space that varies greatly depending on the route we take and the aims of our visit. We could speak of a new museum dreamt up within the Museum itself. On this imaginary journey, a young man appears out of a dark space and we suddenly realise that we are in the bowels of the Museum’s Sala Oval. The young man, a kind of acrobatic tightrope walker, guides us to show us that it is a set design, or rather that it could be.
But let’s start at the beginning...
+ infoCreated for the Educart (Oculus) and Cardona (Romanesque) Rooms at the Museu d'Art de Catalunya in Barcelona. 2024/25
https://www.museunacional.cat/en/power-display-gae-archive
https://www.youtube.com/watch?v=R9kUW8-lvyM&t=4s
