WORKS
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Projects
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Language//la_langue
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Panopticon_frontier 601
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Lead and Silver Times
- The project
- Kafkian suitcases
- Banyuls – Portbou_muga 600
- Bentham’s Panoptic
- Silver moments - Hospitality
- Silver moments - Image's power
- Silver moments - Silver’s (the) wound
- Silver moments - The innocence of evil
- Silver moments - Polysemic house taken
- Silver moments - A goal to survive
- Return home
- Hoouseholds of La Seda
- In Residence-Antaviana
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Plom-Plata
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Another end. THE REMAINDER
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Discomfort politicisations
- Combinatorial optimization
- Trilogy of privacy
- Antikeres
- Domus Aurea
- Sybil
- Among book wings
- In the inner wine cellar I drank of my beloved
- Europe TV
- Small oranges from China
- Landscape memory
- Constelaciones
- Disappeared Missiones
- Wound of time
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River of silver
- No water
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Videos
- Introducction
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Video installations
- Panopticon_frontier 601
- Kafkian suitcases
- Kenosi- Anti-Keres
- Among book wings. Book of sand
- Among book wings. Josefine
- Among book wings. Das Kind
- Domus Aurea
- Sybil
- Desire
- Wound. Narcissus' astonishment
- Wound. Holy Shroud
- Wound. Madelaine
- Cardamom
- From the Pampa to Les Garrigues
- Europa TV
- Europa TV. The viewer
- Correction
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Single-channel videos
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Video - Documentary
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Video - poems
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Photographs
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Paintings
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Drawings
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Correcció
- CAPS.A.10
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Editions
#exterminationborders
#exterminationborders
Digital photography and text
Agamben's texts and in particular State of Exception - Homo sacer II from 2003, have led me to investigate the keys to assimilation and submissive acceptance of the Foucauldian disciplinary society in which we find ourselves today. My latest work, Panòptico_frontera 601, revolves around legal abuses of power converted into border management. In it, images without bodies place us as the only complicit survivors.
The texts of this work allude to a conversation in which two sub-Saharan teenagers narrated their difficult and traumatic journey by boat from the African continent to the Spanish coast. One of them gave a descriptive and fluid story; the other added stage directions to the narrative that gave extra reality and rawness. These notes are what serve as a contrast to the silence of the image.
There are currently about 244 million immigrants in the world. There are thousands of people waiting at the borders, which are increasingly impassable. Between April and December 2017, some 5,500 people have been confirmed dead on marine migratory routes. The actual number is unknown, but it is more than likely that it far exceeds the official figure. The majority are women and children who have died at sea. They have no voice, they don't carry a suitcase.
Selected for the Vila Casas Photography Award 2020