WORKS
-
Projects
-
The Power of Display
- BODIES THAT DON'T MATTER
- My BORDER
-
Ripolletashecity
-
Language//la_langue
-
Panopticon_frontier 601
-
Lead Silver Time II
-
Lead and Silver Times
- The project
- Kafkian suitcases
- Banyuls – Portbou_muga 600
- Bentham’s Panoptic
- Silver moments - Hospitality
- Silver moments - Image's power
- Silver moments - Silver’s (the) wound
- Silver moments - The innocence of evil
- Silver moments - Polysemic house taken
- Silver moments - A goal to survive
- Return home
- Hoouseholds of La Seda
- In Residence-Antaviana
-
Plom-Plata
-
Anotherend.The remainder
-
Discomfort politicisations
- Combinatorial optimization
- Trilogy of privacy
- Antikeres
- Domus Aurea
- Sybil
- Among book wings
- In the inner wine cellar I drank of my beloved
- Europe TV
- Small oranges from China
- Landscape memory
- Constelaciones
- Disappeared Missiones
- Wound of time
-
River of silver
- No water
-
-
Videos
- Introducction
-
Video installations
- Panopticon_frontier 601
- Kafkian suitcases
- Kenosi- Anti-Keres
- Among book wings. Book of sand
- Among book wings. Josefine
- Among book wings. Das Kind
- Domus Aurea
- Sybil
- Desire
- Wound. Narcissus' astonishment
- Wound. Holy Shroud
- Wound. Madelaine
- Cardamom
- From the Pampa to Les Garrigues
- Europa TV
- Europa TV. The viewer
- Correction
-
Single-channel videos
-
Video - Documentary
-
Video - poems
-
Photographs
-
Paintings
-
Drawings
-
Correcció
- CAPS.A.10
-
-
Editions
Silver Moments - Chastity belt. THE KEY
Chastity belt. THE KEY
Installation 2024
With the collaboration of Agnès WO
Performers Gislaine Dos Santos and Valentina Gaia Lops
Work made in homage to the artist Virgínia M. Raimundi and with the reference of Sappho.
Chastity belt. THE KEY, speaks of the enormous journeys that many women have to make to get the key to their identity, as well as the multiple strategies and euphemisms that institutional and religious power uses to mask sexual dissidence. Today the role of bisexuality in ancient Greece is clear, but taboo has always surrounded Sappho. Although today it is not disputed that the recipients of her poems and her love were the young women of the thiasos, whether they were her friends, colleagues or students, for centuries Christian culture considered these women as "chaste" or "felators" because they did not have to call homosexuality a possible option. But it is also important to note that dissent is not usually restricted to sexual identity, as many women, Safo as well as Virgínia, rebel against dictatorial powers and their destiny is exile. A creative and transformative exile, fortunately.
Virgínia M. Raimundi exiled in Berlin at the end of Franco's regime, who resided in the Kreuzberg neighborhood in East Berlin under the incoming communist repression in contact with its cultural, artistic and social reality. Virginia supported and established friendship with several German artists, was known for her androgynous and ambiguous image and became an activist who welcomed people from different groups.
She returned to Catalonia around 2021 and has since resided in Caldes d'Estrac.
Exhibited at
Fundación Palau. Caldes d'Estrac. Barcelona 2024
Within the framework of the exhibition From Oblivion to Revolt. Invisible Goddesses, curated by Fina Duran and Txema Romero. Travelling exhibition with the support of the Generalitat of Catalonia.


